Nine Inch Nails
Nine inch nail? More like three... This is the notorious scandal-beauty
Courtny Love's snappy (sorry) comment on Trent Reznor's "joystick" in
an American newspaper, after their short romance ended.
(Translator's note: In the Swedish version of the article, the author
jokes around with a word in an untranslatable way. The Swedish word
used by the author is "avsnoppande" - here translated into "snappy" -
can also mean "snipping off the tip of". One could also interpret the
word as a junction of the two words "av" and "snopp", where the first
word means "off" and the second is one of the many names for the
male genital.) Love doesn't deny herself anything, and neither does
Trent Reznor. What Love has become for grunge, Trent is for the
heavy industrial music. Using a tough image, lyrics about S&M,
homo-erotics and fetischism, and beautiful, bizarre videos, Nine Inch
Nails' only standing member Trent Reznor has quickly become the face
of alternative music in the USA. A wellknown fact is that the value of
getting headlines is quite high, and Reznor has got them. When the
album The Downward Spiral was to be recorded, he rented the house
in Los Angeles where the Manson gang's massacre on Sharon Tate,
among others, took place in the 60s. Of course this raised a roaring
outcry among the American press, but Reznor still says he wasn't
aware of the history of the house. He only wanted a studio with
atmosphere... Getting on the billboards is one thing. People screaming
their heads off without any artistical abilities to back them up tend to
vanish as fast as they appear, but behind Reznor's many poses is a
very talented musician and producer. He is - for example - a
commonly hired remixer and has worked with so broadly apart artists
as David Bowie, Megadeth, Queen and Ministry. He also made parts of
the soundtrack for Natural Born Killers and Seven. About a year ago,
there were slightly denser clouds in the constant storm around Trent
Reznor, and the reason had nothing to do with either sex, drugs or
booze. No, something as terrifying as Reznor's period in the 80s with
the soft hardrockers The Innocent had been discovered. Pictures of
Reznor in the obligatory tight tricots and sprayed poodel hairdos of
the time circulated the press. It was implied that Reznor was a fake
and a traitor to the alternative audience. He calmed that storm as
well, shrugged and said that he in fact wasn't too proud of that
period in his life, but couldn't see why he would loose fans over such
a trifle. Possibly, the most exasperated fans disappeared, but the
USA-tour this winter with David Bowie showed that NIN's position
within the world of music is stable. Bowie himself has said that his
latest record Outside was influenced by Reznor, and many thought
that NIN clearly outshined Bowie on stage. Unfortunately the group
didn't come along when the the tour continued on to Europe and
hasn't played in Sweden yet. (Translator's note: No, they haven't...
Gaaaaah!!) Maybe in order to re-establish his image, Reznor recently
told the press that he was going to rebuild an old undertaker firm into
a studio. That's where he'll record the artists he has signed to his
own record company Nothing Records. For example, there's Marilyn
Manson, a band that looks like a group of zombie-transvestites and
almost sounds like it too. Pretty good, actually. Nine Inch Nails' latest
album, The Downward Spiral of -94, was a great success and is
recommended. Closer is fantastic. The release date of the next record
isn't set. Reznor is a man working with a thousand projects at a time,
and the fact that he is the one to create the creepy, suggestive
sound effects to the already creepy, suggestive Quake feels like the
right thing. Also entirely right is that the NIN logo is placed on the
ammunition boxes you can pick up here and there in the game. Trent
Reznor undoubtedly owns a certain explosive force. Strange, though,
that id Software only mentions NIN's participation briefly on the back
of the package for Quake.
By Pelle Almgren
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This article
is provided courtesy Keith Duemling and Tracy Thompson from the collection previously
located at SUS.
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